{"id":317,"date":"2017-09-12T07:52:46","date_gmt":"2017-09-12T07:52:46","guid":{"rendered":"https:\/\/www.giorgiafiorio.com\/?p=317"},"modified":"2023-11-07T17:16:27","modified_gmt":"2023-11-07T17:16:27","slug":"portraits-fr","status":"publish","type":"post","link":"https:\/\/www.giorgiafiorio.com\/portraits-fr\/","title":{"rendered":"Portraits"},"content":{"rendered":"\n
J\u2019ignore les mots, j\u2019ignore le comment et par o\u00f9 commence cet aboutissement dans l\u2019\u0153il du viseur ; la marge, bien nette, demeure pourtant intacte autour de l\u2019objectif de trente-six centim\u00e8tres carr\u00e9s. Douze d\u00e9clics, trois ou quatre fois, cinq tout au plus. \u00c0 chaque d\u00e9clic, la vision passe \u00ab au noir \u00bb, jusqu\u2019\u00e0 ce que la pr\u00e9sence sp\u00e9culaire, renvers\u00e9e par le miroir r\u00e9fl\u00e9chissant, se dilate et soit soudain tout enti\u00e8re hors <\/em>de la marge de ce que \u00ab l\u2019on voit \u00bb et renferm\u00e9e en m\u00eame temps dans une intention. Ainsi regarde-t-on et traverse-t-on \u00e0 la fois la zone a\u00e9rienne en suspens entre ce regard et ce qui le regarde. L\u00e0<\/em>, contrairement au miroir de la pupille qui englobe et restitue \u00e0 celui qui regarde son regard r\u00e9fl\u00e9chi, mon sujet doit, pour se voir, regarder en soi, puisque mes yeux sont d\u00e9sormais dissimul\u00e9s derri\u00e8re la chambre noire de l\u2019appareil. Ce n\u2019est l\u00e0 qu\u2019un instant ; il passe et reste et l\u2019on<\/em> en a d\u00e9j\u00e0 trop vu. <\/p>\n\n\n\n<\/p>\n","protected":false},"excerpt":{"rendered":"J\u2019ignore les mots, j\u2019ignore le comment et par o\u00f9 commence cet aboutissement dans l\u2019\u0153il du viseur ; la marge, bien nette, demeure pourtant intacte autour de l\u2019objectif de trente-six centim\u00e8tres carr\u00e9s. Douze d\u00e9clics, trois ou quatre fois, cinq tout au plus. \u00c0 chaque d\u00e9clic, la vision passe \u00ab au noir \u00bb, jusqu\u2019\u00e0 ce que la pr\u00e9sence sp\u00e9culaire, renvers\u00e9e […]<\/p>\n","protected":false},"author":1,"featured_media":681,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,5],"tags":[33],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/www.giorgiafiorio.com\/wp-content\/uploads\/2022\/11\/Nicolo-Cecchella_6-4_DEF-scaled.jpg","_links":{"self":[{"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/posts\/317"}],"collection":[{"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/comments?post=317"}],"version-history":[{"count":10,"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/posts\/317\/revisions"}],"predecessor-version":[{"id":818,"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/posts\/317\/revisions\/818"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/media\/681"}],"wp:attachment":[{"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/media?parent=317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/categories?post=317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/tags?post=317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/p>\n","protected":false},"excerpt":{"rendered":"
J\u2019ignore les mots, j\u2019ignore le comment et par o\u00f9 commence cet aboutissement dans l\u2019\u0153il du viseur ; la marge, bien nette, demeure pourtant intacte autour de l\u2019objectif de trente-six centim\u00e8tres carr\u00e9s. Douze d\u00e9clics, trois ou quatre fois, cinq tout au plus. \u00c0 chaque d\u00e9clic, la vision passe \u00ab au noir \u00bb, jusqu\u2019\u00e0 ce que la pr\u00e9sence sp\u00e9culaire, renvers\u00e9e […]<\/p>\n","protected":false},"author":1,"featured_media":681,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,5],"tags":[33],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/www.giorgiafiorio.com\/wp-content\/uploads\/2022\/11\/Nicolo-Cecchella_6-4_DEF-scaled.jpg","_links":{"self":[{"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/posts\/317"}],"collection":[{"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/comments?post=317"}],"version-history":[{"count":10,"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/posts\/317\/revisions"}],"predecessor-version":[{"id":818,"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/posts\/317\/revisions\/818"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/media\/681"}],"wp:attachment":[{"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/media?parent=317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/categories?post=317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/tags?post=317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}