{"id":8,"date":"2021-07-26T08:45:30","date_gmt":"2021-07-26T08:45:30","guid":{"rendered":"https:\/\/www.giorgiafiorio.com\/?page_id=8"},"modified":"2023-11-07T17:30:37","modified_gmt":"2023-11-07T17:30:37","slug":"home-en","status":"publish","type":"page","link":"https:\/\/www.giorgiafiorio.com\/home-en\/","title":{"rendered":"home en"},"content":{"rendered":"\n
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Independent artist, author of 14 monographs, over a thirty-year\u2019s research around the human figure<\/em>, Fiorio questions the dialectic-interrelation between presence and vision. Here photography does not replicate \u201cthat which is seen\u201d, it is a luminous signal disclosing that \u2018there is<\/em>\u2019 which vision withholds. From 2000 to 2010 with the project The Gift<\/em>, Fiorio explored ritual expressions of Sacred over 38 countries around the world. The book, The Gift<\/em> has been granted the UNESCO High Patronage in 2009. Ongoing since 2010, the project Humanum<\/em>, disclosing the transfiguration of sculptural appearance in light\u2019s variations, reconsiders today\u2019s perception of the archetypal figuration in ancient human statuary as an endless origin, contemporary to our time and any-time.<\/p>\n\n\n\n

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For this project\u2014in progress since 2010\u2014Fiorio has collaborated with Ca\u2019 Foscari University of Venice; Scuola Universitaria Superiore Sant\u2019Anna, Pisa and worked so far at the National Archaeological Museum of Athens; the Acropolis Museum of Athens; the Louvre Museum in Paris; the Iraq Museum of Baghdad; the Kunsthistorisches Museum of Wien; the National Archaeological Museum of Cyprus in Nicosia; the Egyptian Museum of Cairo; the Royal Commission of Al-Ula at King Saud Museum in Riyadh; the Jordan Museum of Amman. Humanum has been presented for the first time with Fiorio\u2019s seminar: The archaeology of Being <\/em>at the College de France in 2018, hosted by the European Chair of Victor\u2019s Stoichita. <\/p>\n\n\n\n

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Founder and director of the international seminar of contemporary photography Reflexions Masterclass (2002-2012), Fiorio has been Faculty at the International Center of Photography in New York, (2007-2014) and is affiliated to Scuola Universitaria Superiore Sant\u2019Anna, Pisa. Besides magazines publications over 25 countries, Fiorio\u2019s books have been published in France; Italy, France, Germany and Greece and had over 30 personal shows around the globe. <\/p>\n\n\n\n

From January 22nd to April 30th 2023 Fiorio\u2019s works from humanum project on display at the Egyptian Museum of Cairo, have been presented in a silent vis \u00e0 vis with three masterpieces of the Egyptian Museum\u2019s Collection of Tahrir Square.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Humanum<\/em>: Present in your presence, <\/em>Giorgia Fiorio, Egyptian Museum of Cairo January 21st<\/sup> to April 30th<\/sup> 2023<\/p>\n<\/div>\n\n\n\n

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The Ontology of Vision. The Invisible, Consciousness of Living Matter<\/a>, Giorgia Fiorio.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Al-Thani Collection Paris, June 29th 2023<\/a><\/p>\n\n\n\n

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On June 29th<\/sup> 2023, for the opening of Victoria & Albert Museum of London Medieval Masterpieces exhibition, hosted by the Al-Thani Collection, the work: Head of  \u0160ulgi<\/a><\/em>, ATC 592, N\u00e9osumerian, 2050 BC, Paradeigma <\/em>C4-1 GF \u00a9 Humanum <\/em>2023 has been presented with the original statuary work.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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As part of the exhibition at the Centro Italiano della Fotografia d\u2019Autore<\/a> on April 2022, FIAF (Italian Federation of Photographic Associations) published an anthology of Giorgia Fiorio\u2019s works<\/a>.<\/p>\n\n\n\n

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THE GIFT<\/strong><\/p>\n\n\n\n

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MEN<\/strong><\/p>\n\n\n\n

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BIBLIOGRAPHY<\/strong><\/p>\n\n\n\n

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1993 GF Soldati,<\/em> edizioni Contrasto, Roma, IT<\/p>\n\n\n\n

1995 Des Russes<\/em>,\u00c9ditions de l\u2019Imprimeur, Besan\u00e7on, FR<\/p>\n\n\n\n

1996 Legio Patria <\/em>Nostra, \u00c9ditions Marval, Paris, FR<\/p>\n\n\n\n

1997 Ser Torer<\/em>o, \u00c9ditions Marval, Paris, FR<\/p>\n\n\n\n

1997 Box\u2019in USA,<\/em> \u00c9ditions Marval , Paris, FR<\/p>\n\n\n\n

2001 Hommes de la Mer<\/em>, \u00c9ditions Marval, Paris, FR<\/p>\n\n\n\n

2001 Des Hommes, \u00c9ditions Marval<\/em>, Paris, FR<\/p>\n\n\n\n

2001 Stern Spezial Photographie, <\/em>Stern Gruner + Jahr AG & Co., Hamburg, DE<\/p>\n\n\n\n

2003 Uomin<\/em>i, 24 Ore Cultura, Milano, IT<\/p>\n\n\n\n

2003 Human Figure<\/em>, Braus Edition, Aufbau-Verlage, Berlin, DE<\/p>\n\n\n\n

2003 Piemonte: una definizione fotografica <\/em>– Castello di Rivoli, Regione Piemonte, IT<\/p>\n\n\n\n

2009 Il Dono<\/em>, Peliti Associati, Roma, IT  \u2013 Patrocinio UNESCO<\/p>\n\n\n\n

2009 Le Don<\/em>, Actes Sud, Arles, FR \u2013 Patrocinio UNESCO<\/p>\n\n\n\n

2009 Rituale,<\/em> Braus Edition, Aufbau-Verlage, Berlin, DE \u2013 Patrocinio UNESCO<\/p>\n\n\n\n

2009 \u03a4\u039f \u0394\u039f\u03a1\u039f,<\/em> Apeiron Editions, Athens, GR \u2013 Patrocinio UNESCO<\/p>\n\n\n\n

2009 Sotto il Cielo<\/em>, Federico Motta Editore per Snam rete Gas, Milano, IT<\/p>\n\n\n\n

2012 Reflexions Masterclass, 10 ans de Photographies<\/em>, Actes Sud, Arles, FR<\/p>\n\n\n\n

2013 Figurae<\/em>,  Actes Sud, Arles, FR<\/p>\n\n\n\n

2013 Figurae<\/em>, Marsilio Editore, Venezia, IT<\/p>\n\n\n\n

2020 Maestri di Fotografia <\/em>Giorgia Fiorio, Milano, Contrasto Editore, La Repubblica, National Geographic<\/p>\n\n\n\n

2022 Humanum<\/em> in Parerga<\/em> pour Victor I. Stoichita<\/em>, Lausanne, \u00c9ditions Droz, 2022.<\/p>\n\n\n\n

2022 Giorgia Fiorio nella Collana Grandi Autori della Fotografia Italiana.<\/em> Centro Italiano per la Fotografia d\u2019Autore.<\/p>\n<\/div>\n\n\n\n

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Independent artist, author of 14 monographs, over a thirty-year\u2019s research around the human figure, Fiorio questions the dialectic-interrelation between presence and vision. Here photography does not replicate \u201cthat which is seen\u201d, it is a luminous signal disclosing that \u2018there is\u2019 which vision withholds. From 2000 to 2010 with the project The Gift, Fiorio explored ritual […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/pages\/8"}],"collection":[{"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/comments?post=8"}],"version-history":[{"count":16,"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/pages\/8\/revisions"}],"predecessor-version":[{"id":840,"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/pages\/8\/revisions\/840"}],"wp:attachment":[{"href":"https:\/\/www.giorgiafiorio.com\/wp-json\/wp\/v2\/media?parent=8"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}